Nearly 40 on the 37: the video journals

 

Before I had a GoPro stuck on to my helmet, before I had a Sena 10c camera and communication system, I had a simple HD JVC video camera my wife Laura gave me as a present before I motorcycled off into the unknown on my Stewart-Cassiar Highway journey in August 2012.

That video camera became, next to my Kawasaki KLR650, my constant companion. In fact I remember, concerned with how the cold and damp might affect it, keeping it warm in my sleeping bag at night, like a chicken egg in a schoolboy’s project.

I would talk to it as well. I suppose it was marginally healthier than talking to myself.

Along the way I would record some interesting progressions in myself. Not only was my facial hair growing, so to was my understanding of my home province of British Columbia.  I’ve kept the recordings as separate video files for years, but decided recently to edit them together to see how the Nearly 40 on the 37 journey affected me.

Viewers expecting lofty shots of motorcycles winding their way through mountain passes will be disappointed. Although there are some shots of my companion Kawasaki KLR650, this video chronicles how the journey was changing me. The exhaustion. The longing for home.  The appreciation for the scope of British Columbia. The rugged territory and vastness of it overwhelmed me.

And you can see it in my face…entry by entry.

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Author: Trevor Marc Hughes

Trevor Marc Hughes is an author and travel writer. He lives in Vancouver, British Columbia with his wife and two sons. He rides a Kawasaki KLR650 motorcycle. If he can help it, he doesn’t ride his motorcycle in Vancouver; he takes it out of town, where he enjoys exploring the province of B.C. and beyond, and writing about his adventures. He has written for magazines such as Canadian Biker, Rider, Motorcycle Mojo, Inside Motorcycles, and RidersWest. His two books are “Nearly 40 on the 37: Triumph and Trepidation on the Stewart-Cassiar Highway” and “Zero Avenue to Peace Park: Confidence and Collapse on the 49th Parallel”.